About Us...

Welcome to my Salon. A place for my creative friends to join in a conversation about writing, about the creative process and the creative life. We write and paint alone, but it's as part of the creative community that we find support and friendship. I originally launched my virtual cafe in support of the release of Karen Karbo's kick ass book about another kick ass woman, Julia Childs. From here on, I'll share what I know about the writing life and the experiences and musings of friends and colleagues in the Portland arts and letters community. Comments and Guest bloggers are encouraged and invited.

Wednesday, March 18, 2015


Writing over the Ego

What keeps us from getting the story onto the page—the one that will knock their socks off? It’s that internal editor, the voice on your shoulder that has no backbone, no faith in your abilities, no nerve.

 If you’re writing a memoir, beware of this sniggeley little creature often referred to as the ego. It’s worried about what people will think, of hurting Aunt Gladys’s feelings—that the whole damn family is going to be mad. Never mind all that because if you’ve made the decision to write your story, you have to make it an honest story. No one wants to read the version of your life where you take out all the juicy stuff—the substance—and everything just sails along and you’ve done all these interesting things and met all these interesting people, but no one ever does anything wrong. No one has kept you up at night, betrayed you, or cheated on you. What about all those lies you told to get into graduate school? That’s going to make a great backstory, let people know you’ve done some brash business in your day—but maybe you just don’t want anyone to know about the real you. If that’s the case, put the manuscript away and take up painting.

       Trouble is, painting has the same danger zones. If the artist makes calculated brush strokes instead of letting the paint brush fly across the canvas without a thought about the critics, the result is flat. The painting lacks authenticity and does not evoke emotion or pull anyone in because there’s no real emotion behind the brush strokes.  It’s too calculated.

      Tell the whole story and don’t self-critique as you go.  Now I’m not saying go ahead and out Uncle Albert, I’m suggesting that the best writing flows freely from a place where the ego and the critical mind gets out of the way, steps aside and lets the story onto the page. Later on, during the second draft, make sure the reader knows what you know. Look for ways to improve your exposition, correct your grammar and enrich your story.

       The best writing is in the rewriting, but the first draft is a blank page upon which you are channeling your story. Knock that twerp off your shoulder, relax, and let the words flow from the deepest, most honest place in your soul with all the talent you have for stringing words together and engaging your readers. It’s a wild party, and you can clean up the mess later.
 
~Camille